El género en combatelas estrategias del cuerpo en las primeras performances de Valie Export

  1. Tejo Veloso, Carlos 1
  1. 1 Universidade de Vigo, Dpto Pintura
Journal:
Ausart aldizkaria: arte ikerkuntzarako aldizkaria = journal for research in art = revista para la investigación en arte

ISSN: 2340-8510,  2340-9134

Year of publication: 2019

Issue Title: Arte y Trabajo

Volume: 7

Issue: 2

Pages: 113-127

Type: Article

DOI: 10.1387/AUSART.21153 DIALNET GOOGLE SCHOLAR lock_openOpen access editor

More publications in: Ausart aldizkaria: arte ikerkuntzarako aldizkaria = journal for research in art = revista para la investigación en arte

Abstract

This article proposes to rescue, vindicate and analyse the early works of the artist Valie Export (Linz, 1940) carried out during the 1960s and 1970s. In addition to their unquestionable artistic quality and political significance, the importance of these first Export performances are based on the intelligence and originality with which the creator was able to integrate the ideological principles of the feminist struggle into the artistic field. It will be precisely at this time, when art produced by women springs forth forcefully to denounce with courage the excesses of an openly macho society. Within this collective of artists, the work of Export maintains an outstanding personality, revealing itself as one of the most intelligent and influential poetics of its time.

Bibliographic References

  • Aliaga, Juan Vicente. 2007. “Caso de estudio: El laboratorio vienés”. En Orden fálico: Androcentrismo y violencia de género en las prácticas artísticas del siglo XX, 213-41. Madrid: Akal
  • Baungärte, Tilman. 2018. “Schwarzers Postkarte”. Taz Archiv (blog), 6 abril. http: //www.taz.de/!5511700/
  • Butler, Judith. (1990) 2001. El género en disputa. Ciudad de México: Paidós
  • Cano Rojas, Guillermo. 2009. “Las desilusiones corporales: Contribuciones de la sexualidad radical del accionismo vienés”. Tesis Univ. Politécnica de Valencia
  • Cottingham, Laura. 2000a. “Are you experienced? Feminism, art and the body politic”. En Seeing through the seventies: Essays on Feminism and Art, 117-31. London: Routledge
  • Cottingham, Laura. 2000b. “L.A. Womyn: The Feminist Art movement in Southern California, 1970-1979. En Seeing through the seventies: Essays on Feminism and Art, 161-74. London: Routledge
  • De Beauvoir, Simone. (1949) 2017. El segundo sexo. Traducción de Alicia Martorell. Madrid: Cátedra
  • Friedan, Betty. 1963. The feminine mystique. Oxford: Norton & Co
  • Glusberg, Jorge. 1979. The art of performance. New York: New York University
  • Guillaumin, Colette. 1995. Racism, sexism, power and ideology. London: Routledge
  • Hanisch, Carol. 1970. The personal is political: Notes from the second year; Women's liberation; Major writings of the radical feminists. New York: Radical Feminism
  • Jones, Amelia. 2011. “Generando problemas: Las artistas feministas ponen en escena el sexo femenino”. Youkali 11: 46-54
  • Kennedy, Randy. 2016. “Who is Valie Export? Just look, and please touch”. The New York Times, 6 abril. https: //www.nytimes.com/2016/06/30/arts/design/who-is-valie-export-just-look-and-please-touch.html
  • Lippard, Lucy. 1980. “Sweeping exchanges: The contribution of feminism to the art of the 1970s”. Art Journal 40(1-2): 362-5
  • Martel, Richard, Bartolomé Ferrando, Joan Casellas & Nieves Correa Rodríguez. 2009. “Performance: Arte vivo y en directo”. Exit Express 47: 17-25
  • Mueller, Roswhita. 1994. Valie Export: Fragments of the imagination. Bloomington IN: Indiana University
  • Mulvey, Laura. (1975) 1989. “Visual pleasure and narrative cinema”. En Visual and other pleasures, 14-26. London: Palgrave Macmillan
  • Phelam, Peggy. 2005. “Estudio”. En Arte y feminismo, ed. de Helena Reckitt; traducido del inglés por Gemma Deza Gil, 15-63. Nueva York: Phaidon
  • Puleo, Alicia. 2005. “Lo personal es político: El surgimiento del feminismo radical”. En Teoría feminista: De la Ilustración a la globalización; De la Ilustración al segundo sexo, Celia Amorós & Ana de Miguel, eds., 35-67. Madrid: Minerva
  • Rathkolb, Oliver. 2010. The paradoxical republic: Austria 1945-2005. New York: Berghahn
  • Robison, Hilary. 2013. “Actionmyth, historypanic: The entry of Valie Export’s aktionhose; Genitalpanik into art history”. Paradoxa International Feminist Art Journal 23: 84-9
  • Sarmiento, José Antonio. 2000. El arte de acción. Las Palmas de Gran Canaria: Centro de Arte La Regenta
  • Valie Export. 1973. “Woman's Art manifesto”. Neues Forum 228: 47
  • Valie Export. 1982. “Valie Export by Gary Indiana”. Bomb Magazine 3. https: //bombmagazine.org/articles/valie-export/
  • Valie Export. 1989. “Aspects of feminist actionism”. New German Critique 47: 69-92
  • Valie Export. 2004. “Arte, estética y más: Entrevista a Valie Export”, por Rocío de la Villa. Exit Express 2. http: //rociodelavilla.blogspot.com/2009/04/entrevista-valie-export.html
  • Wentrack, Kathleen. 2014. “Female sexuality in performance and film: Erotic, political, controllable? The contested female body in the work of Carolee Schneemann and Valie Export”. Konsthistorik Tidsskrift 83(2): 148-67
Data source: Dialnet