El lugar del relato en la nueva frontera digital sobre la que se mueve la cinematografíaDuncan Jones y la narratología

Résumé

The new century seems to have marked the beginning of a new cinematographic era defined by major technological and productive transformations and profound changes in the status and nature of moving image. Trying to contribute to the general characterization of the cinema in this new period, this paper focuses on the study of a representative filmography in this regard, the British filmmaker Duncan Jones one, made so far by Moon (2009) and Source Code (2011). Using analytical instruments coming from the proposals of narratology and its adaptation to cinema, it tries to verify that, in a period defined by the importance of visual and auditory impact, are the choices on the narrative level those that support the construction and particularity of his films.