- Building up identity: gender, clichés and archetypes.
- Conceptual and philosophical discussion on the multiple art in the 21st century. Complexity and sustainability. Expanded field graphic art.
- Consuming multiple art. A sociological approach.
- Exhibition spaces and models: the rise of curatorial discourse and its influence on the artistic languages of the 21st century.
- Expanded field painting. Transformations, apertures and ruptures in the painting practice of the 21st century.
- Interactions between painting, digital technology and new media.
- Interdisciplinary studies through textiles.
- Macrocosm and microcosm. Relational systems.
- New technologies applied to contemporary art.
- Non-toxic printmaking and plate engraving processes.
- Strategies and approaches towards conscious design.
- Sustainable systems applied to contemporary multiple art.
- The comic’s space: transdisciplinary comics studies.
- The concept of seriation and new technologies.
- The imprint of the immaterial. Relationship between the visible and the invisible.
- The installation space: the multiple that inhabits the space.
- The intangible matrix. The idea of authorship in the 21st century. Networks.
- The series space: seriation and print. Repetition and transformation. Negotiating practical and formal issues of the edition. The expanded edition.
- The space of Contemporary graphic art: theory and praxis of digital graphic art.
- The space of design: artwork production and research at the edge. Modernity and its boundaries: interrelations between art, design, and fashion. Conscious design for the 21st century. Interventions in graphic and editorial design.
- The space of painting: breaking with the conventions that sustain the category of painting.
- The space of the book: the artist’s understood as an art project to convey thought.