NeTeC
Negociacións Textuais e Culturais no Ámbito Anglófono
Publicacións (60) Publicacións nas que participase algún/ha investigador/a
2024
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Institutionalized Violence and Oppression: Ambiguity, Complicity and Resistance in El Campo and The Conduct of Life
Comparative Drama, Vol. 58, Núm. 1-2, pp. 109-129
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Irish studies in Spain - 2023: Introduction
Estudios irlandeses = Journal of Irish Studies, Núm. 19, pp. 291-293
2023
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El paladín de Essex by William Winstanley
Cervantes: Bulletin of the Cervantes Society of America, Vol. 43, Núm. 1, pp. 197-200
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From La Viuda to letters from Cuba: Family correspondence in María Irene Fornés’ theater
Revista de Estudios Norteamericanos, Núm. 27, pp. 83-98
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Introduction: Silences that Speak
New Directions in Irish and Irish American Literature (Palgrave Macmillan), pp. 1-19
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Introduction: Silences that Speak
Narratives of the unspoken in contemporary Irish fiction: silences that speak (Palgrave Macmillan Suiza), pp. 1-19
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Irish Studies in Spain - 2022. Introduction
Estudios irlandeses = Journal of Irish Studies, Núm. 18, pp. 235-238
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Narratives of the unspoken in contemporary Irish fiction: silences that speak
Palgrave Macmillan Suiza
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Noelia Hernando- Real (2022): Rosas en la arena: los relatos de Susan Glaspell, València: Universitat de València, 248 pp.
Revista de Filología de la Universidad de La Laguna, Núm. 47, pp. 393-395
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Nothing but the Truth
Telling truths: Evelyn Conlon and the task of writing (Peter Lang), pp. 1-7
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Review of Evelyn Brown (A Diary), conceived and originally directed by María Irene Fornés, Directed by Alice Reagan. Performed at La Mama, NYC, May 19- June 4, 2023.
Revista de Estudios Norteamericanos, Núm. 27, pp. 141-146
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Telling truths: Evelyn Conlon and the task of writing
Peter Lang
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Women’s mobility in Evelyn Conlon’s fiction
Telling truths: Evelyn Conlon and the task of writing (Peter Lang), pp. 43-63
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“Sure, Aren’t the Church Doing Their Best?” Breaking Consensual Silence in Emer Martin’s The Cruelty Men
New Directions in Irish and Irish American Literature (Palgrave Macmillan), pp. 191-212
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“Sure, Aren’t the Church Doing Their Best?”: Breaking Consensual Silence in Emer Martin’s The Cruelty Men
Narratives of the unspoken in contemporary Irish fiction: silences that speak (Palgrave Macmillan Suiza), pp. 191-212
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“To Pick Up the Unsaid, and Perhaps Unknown, Wishes”: Reimagining the “True Stories” of the Past in Evelyn Conlon’s Not the Same Sky
Narratives of the unspoken in contemporary Irish fiction: silences that speak (Palgrave Macmillan Suiza), pp. 43-64
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“To Pick Up the Unsaid, and Perhaps Unknown, Wishes”: Reimagining the “True Stories” of the Past in Evelyn Conlon’s Not the Same Sky
New Directions in Irish and Irish American Literature (Palgrave Macmillan), pp. 43-64
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“Welcome to America 2.0”: Reading Waste in Gary Shteyngart’s Super Sad True Love Story
Revista Canaria de Estudios Ingleses, Núm. 86, pp. 127-144
2022
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Confining the fanatics: "Melancholy" and political satire in "Mr. Turbulent"
45th AEDEAN Conference: Facultad de Filosofía y Letras Universidad de Extremadura, november 16,18 2022 Cáceres
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Introduction. Irish studies in Spain – 2021
Estudios irlandeses = Journal of Irish Studies, Núm. 17, pp. 179-182